ART REVIEW’S POWER 100 LIST is developed in consultation with an international panel of invited writers, artists, curators and critics. The unnamed experts consider the stature, standing and sway of candidates over the past 12 months. The barometer is “based on their international influence over the production and dissemination of art and ideas in the artworld and beyond.”
Art dealer David Zwirner tops the list occupying the No. 1 slot. With locations in New York and Hong Kong, his gallery represents Marshall and just announced the addition of Njideka Akunyili Crosby to its roster, which also includes Stan Douglas, Chris Ofili, and the estate of Roy DeCarava, among more than 75 artists.
The No. 3 spot on the list is held by the #metoo movement. Established a year ago, the phenomena appears on the list for the first time. The “viral international movement denouncing sexual harassment and the abuse of women,” is a unique selection on a list that ordinarily features individuals.
In addition to Moten, collector/philanthropist Pamela Joyner (No. 36), curator and critic Simon Njami (65), and artists Adrian Piper (49) and John Akomfrah (94), are also new entrants on the list.
Joyner is board chair at the Tate Americas Foundation and also serves on the board of the J. Paul Getty Trust. Her extensive art collection forms the traveling exhibition “Solidary & Solitary: The Joyner/Giuffrida Collection” which is being presented at the Snite Museum of Art at the University of Notre Dame through Dec. 15.
Njami has greatly influenced the lens through which the world sees contemporary African Art. He curated the 2017 and 2018 Dak’Art biennials in Senegal and is editor-in-chief of Revue Noire, a French magazine devoted to African art.
A conceptual artist and philosopher, Piper was born in New York City. Her half-century survey exhibition is on view at the Hammer Museum in Los Angeles in partnership with the Institute of Contemporary Art Los Angeles (through Jan. 6, 2019). She moved to Berlin in 2005 and refuses to return to the United States because, according to her reconstructed Facebook page, she is “listed as a ‘Suspicious Traveler’ on the U.S. Transportation Security Administration Watch List.” Piper received the Golden Lion Award for Best Artist at the 56th Venice Biennale (2015) and Germany’s Käthe Kollwitz Prize (2018).
The Institute of Contemporary Art Boston just announced Akomfrah will present the 2019 Watershed installation. “Purple,” his immersive, six-channel installation will make its U.S. debut on May 26, 2019. On view earlier this year at the New Museum in New York, “John Akomfrah: Signs of Empire,” was the Ghanaian-born, British filmmaker’s first American survey exhibition.
Four African American artists return to the list from 2017—David Hammons (14), Theaster Gates (30), Kara Walker (50), and Arthur Jafa (87). Exploring African American identity through contemporary imagery, Jafa’s extraordinary video “Love is the Message, the Message is Death” (2016) is “a testament to [his] profound ability to mine, scrutinize, and reclaim media’s representational modes and strategies.” Compared with last year, Hammons and Walker improved their positions on the list; Gates and Jafa fell several ranks.