WEISS/MANFREDI, NA Celebrates Completion of Hunter's Point South Waterfront Park

Photo: Albert Vecerka/Esto

Photo: Albert Vecerka/Esto

Today a ribbon-cutting ceremony marked the formal opening of Phase II of Hunter's Point South Waterfront Park. A place of discovery, resilience, and extraordinary drama with its Manhattan skyline backdrop, Hunter's Point presents a new model for waterfront parks. Phase II completes the vision established in the first phase of the park, which opened in 2013. The park's extension introduces an acre of wetlands that recall the site’s pre-industrial history, and features meandering pedestrian pathways that bring the community to the waterfront. The walkways unfurl into a promenade leading to a 30-foot-high cantilevered Overlook, which offers unrivaled views of the East River and shelters the paths and wetland waterfront below.
The park incorporates spaces for active and passive recreation, leveraging the site’s industrial heritage to create a new resilient waterfront destination. A new island, kayak launch, promontory green, exercise terraces, and shoreline walkways extend the community’s  experience of the East River. New shoreline plantings and wetlands enhance water quality and promote wildlife and fish habitation, while protecting the community from shoreline bank erosion and rising sea levels.
The design of the park and open space is a collaboration between SWA/Balsley and WEISS/MANFREDI, with Arup as the prime consultant and infrastructure designer. The project was recently featured in The New York Times. For more information, visit WEISS/MANFREDI's website.

Figuring History at the Seattle Art Museum

Figuring History: Robert Colescott, past NA, Kerry James Marshall, NA, Mickalene Thomas, NA

Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas brings together three generations of contemporary American artists, whose work challenges a Western painting tradition that underrepresents people of color. The vibrant and monumental paintings by these artists offer bold perspectives on Black culture and representation. Presented together for the first time, the figurative paintings of ColescottMarshall, and Thomas are shaped by distinctive historic events, unique in style, and united in questioning the narratives of history through Black experience.

The works of these artists together reassess both history painting and history itself through layered references to paintings from the European art history canon. History painting began in 15th-century Europe and traditionally featured imagery that demonstrated the power and the values of the ruling elite. Missing from these works of art were the histories of people of color told on their own terms. In their portrayals, Colescott, Marshall, and Thomas provide testimony centered on Black perspectives in a contemporary context.

Robert Colescott’s paintings speak to the history of colonization by examining the inherited human condition. Full of symbols, Colescott’s work critiques society as a whole through the use of irony and sarcasm. The protagonists of his paintings bear the burden of the history of racism as he works to set the historical record straight.

Unlike Colescott, Kerry James Marshall aims to create artworks that continue the canon of European art history but enrich it with a Black aesthetic. Overwhelmed by the prevalence of white figures and symbols in art history, Marshall’s paintings in the Souvenir series focus on Black history as reconciliation.

Mickalene Thomas, meanwhile, engages with the history of modernism in her use of pattern, fabric, and fragmented images which reference Cubist imagery. The female figures arranged in challenging poses throughout her work give new agency to the female form, long placed as passive in European art history. For this exhibition she has created three new pieces that expand her work in new dynamic directions. In addition, an installation will be in the galleries for visitors to interact with as an example of the sets Thomas builds for her models.

Academicians Elected in 2017

Each year, the current National Academicians nominate and elect a new class of members in a tradition dating back to 1825.  This fall, it is our pleasure to welcome the following artists and architects

Visual Art

Alfredo Jaar
Elizabeth King
Thomas Lanigan-Schmidt
Marilyn Minter
Odili Donald Odita
Mira Schor
John Walker
William T. Williams

Suzanne Anker
Eve Aschheim
Kathy Butterly
Peter Campus
Lisa Corinne Davis
Teresita Fernández
Theaster Gates
Glenn Goldberg
Harmony Hammond


Craig Dykers (Snøhetta)
David Lake and Ted Flato (Lake Flato)
Kazuyo Sejima and Ryue Nishizawa (SANAA)

National Academician Induction Ceremony + Party   Class of 2017

National Academician Induction Ceremony + Party

Class of 2017